{"title":"CD Preorders Releasing November 6, 2026","description":"\u003cp\u003eSome things to know:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan style=\"color: rgb(0, 152, 47);\"\u003e\u003cstrong\u003e80-90% of preorders arrive by Friday afternoon of the release day\u003c\/strong\u003e,\u003c\/span\u003e but we can't control that. \u003cstrong\u003eWe will ship as soon as your entire order arrives.\u003c\/strong\u003e Usually that will be by Friday afternoon or Saturday morning. But if there are delays, it could be the following Monday, Tuesday, etc. (Ditto for local pickups.)\n\u003cul\u003e\n\u003cli\u003eNOTE: The most common issue is shifting release dates, which we can't control. But as noted below, we will give you options!\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eIf an album you ordered is cancelled, indefinitely delayed, or won't ship to us for whatever reason for more than one week after release day, we will offer a refund for that title.\u003c\/li\u003e\n\u003cli\u003eIf an album is more than 1 week late (usually due to a modified release date) but is coming eventually, we will give you the option to refund or wait for that album.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e Thanks!\u003c\/p\u003e","products":[{"product_id":"pre-order-olivier-temime-marcenay-encore-cd","title":"[PRE-ORDER] Olivier Temime - Marcenay Encore [CD]","description":"\u003cp\u003eEight months after Marcenay recorded as a trio with Emmanuel Bex and Simon Goubert, the saxophonist unveils the second installment of his diptych devoted to life in his adopted Burgundian village.For this new opus, Temime surrounds himself with three longtime companions - Étienne Deconfin (piano), Sylvain Romano (double bass), and Antoine Paganotti - shaping a free, incandescent Power Quartet, always ready to venture off the beaten track.Here, the worlds of Mireille Mathieu, Rahsaan Roland Kirk, and Michel Sardou intersect and transform one another. 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Drawing on distinctly American preoccupations, the work unfolds within a community bound together by circumstance and belief, shaped by the unsettling presence of an unexplained 'hum' that blurs perception and reality. Through Mazzoli's richly textured orchestral writing and Vavrek's incisive dramaturgy, the opera becomes a powerful reflection on vulnerability, tenderness, rage and hope, all sung into existence with a haunting sense of optimism.At it's centre is Claire Devon, a high school math teacher portrayed with remarkable intensity by Nicole Heaston, whose collaboration with the composer shapes a character defined by curiosity, precision and uncompromising emotional depth. Her journey from isolation to reluctant authority exposes the human need for connection in a world where listening becomes both consolation and control, and where belief can quickly harden into collective illusion. Mazzoli's expansive score, driven by large orchestral forces and a distinctive electronic 'hum,' creates an immersive sonic landscape in which inner psychology and external reality continuously intersect, building towards a devastating reckoning in which voices reshape reality itself.Missy Mazzoli previously appeared on PENTATONE with Proving Up (2020); Lyric Opera of Chicago appeared with The Three Queens (2022) and Puccini: Heroines (2026), together with Enrique Mazzola.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 8717306265300\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Pentatone\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.6.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e","brand":"Pentatone","offers":[{"title":"Default Title","offer_id":48796908716132,"sku":"293326509","price":29.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/2777\/4052\/files\/4529805-3673941.jpg?v=1784665754"},{"product_id":"pre-order-paula-cole-sonic-memoir-vol-i-ii-demos-1989-1998-w-book-cd","title":"[PRE-ORDER] Paula Cole - Sonic Memoir Vol I \u0026 Ii Demos 1989-1998 (W\/Book) [CD]","description":"\u003cp\u003eSonic Memoir: Demos 1989-1998 collects 63 recordings from Grammy winner Paula Cole's formative decade - two volumes of self-produced demos, including early versions of the hits \"\"Where Have All The Cowboys Gone?\"\" and \"\"I Don't Want To Wait\"\" alongside dozens of previously unreleased songs. Recorded in her home studio in the years before and during her rise to stardom, these are the master recordings that shaped one of the defining voices of the 1990s. This 4CD boxset includes a 52-page booklet of personal autobiography and liner notes.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWatch The Woman's Hands\u003c\/li\u003e\n\u003cli\u003eAlone\u003c\/li\u003e\n\u003cli\u003eLast November\u003c\/li\u003e\n\u003cli\u003eAll On My Shoulders\u003c\/li\u003e\n\u003cli\u003eTo Sell?\u003c\/li\u003e\n\u003cli\u003eBethlehem\u003c\/li\u003e\n\u003cli\u003eUnbroken\u003c\/li\u003e\n\u003cli\u003eChiaroscuro\u003c\/li\u003e\n\u003cli\u003eBlack Boots\/The Book of Dorothy\u003c\/li\u003e\n\u003cli\u003eSlow Dancing with Apathy\u003c\/li\u003e\n\u003cli\u003eyes.\u003c\/li\u003e\n\u003cli\u003eHitler's Brothers\u003c\/li\u003e\n\u003cli\u003eSuwannee Jo\u003c\/li\u003e\n\u003cli\u003ehush, hush, hush\u003c\/li\u003e\n\u003cli\u003eMe\u003c\/li\u003e\n\u003cli\u003eTo Be Jane\u003c\/li\u003e\n\u003cli\u003eRock of Gibraltar\u003c\/li\u003e\n\u003cli\u003eSunflower\u003c\/li\u003e\n\u003cli\u003eSaint Quentin\u003c\/li\u003e\n\u003cli\u003eRevolution (Is A State of Mind)\u003c\/li\u003e\n\u003cli\u003eSong for an Oysterman\u003c\/li\u003e\n\u003cli\u003eGirl\u003c\/li\u003e\n\u003cli\u003eThe Millionaire, The Devil, The Voodoo Doll\u003c\/li\u003e\n\u003cli\u003eWhere Have All The Cowboys Gone?\u003c\/li\u003e\n\u003cli\u003eTiger\u003c\/li\u003e\n\u003cli\u003eRoad To Dead\u003c\/li\u003e\n\u003cli\u003eAmerica Is A Hooker\u003c\/li\u003e\n\u003cli\u003eDirty Words\/Running\u003c\/li\u003e\n\u003cli\u003eHarbinger\u003c\/li\u003e\n\u003cli\u003ePostcards From East Oceanside\u003c\/li\u003e\n\u003cli\u003eVirgin Snow\u003c\/li\u003e\n\u003cli\u003eLaugh Away The Pain\u003c\/li\u003e\n\u003cli\u003eI Don't Want To Wait\u003c\/li\u003e\n\u003cli\u003eNietzsche's Eyes\u003c\/li\u003e\n\u003cli\u003eMississippi\u003c\/li\u003e\n\u003cli\u003eIsland\u003c\/li\u003e\n\u003cli\u003eMy Goat\u003c\/li\u003e\n\u003cli\u003eWhite Lily\u003c\/li\u003e\n\u003cli\u003eSecret\u003c\/li\u003e\n\u003cli\u003eGarden of Eden\u003c\/li\u003e\n\u003cli\u003eRain In My Egypt\u003c\/li\u003e\n\u003cli\u003eDear Gertrude\u003c\/li\u003e\n\u003cli\u003eSaturn Girl\u003c\/li\u003e\n\u003cli\u003eDistant Corners of the Earth\u003c\/li\u003e\n\u003cli\u003eHappy Home\u003c\/li\u003e\n\u003cli\u003eOh John\u003c\/li\u003e\n\u003cli\u003eThe Ladder\u003c\/li\u003e\n\u003cli\u003eShe Can't Feel Anything Anymore\u003c\/li\u003e\n\u003cli\u003eWhere Have All The Cowboys Gone? 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A decade in which his artistic voice has quietly deepened and refined itself, as though his musical language had been shedding excess weight, gradually moving toward something more distilled, more precise, more essential. During these years of quiet maturation, Courthaliac has become one of the most sought-after arrangers on the scene, lending his touch to a host of notable recordings. What sets him apart is a rare way of hearing: an ear attuned to the smallest inner movements of the music. He shifts harmonic colors with painterly care, opens unexpected perspectives within familiar material, and reshapes the sound from the inside out - a patient form of musical alchemy. His language is firmly rooted in bebop and the great American tradition, a world he explored deeply alongside Barry Harris and other towering figures of jazz. Yet rather than remaining within that lineage, he has allowed it to breathe and evolve, guided by an uncommon sensitivity and a restless curiosity always reaching toward new horizons. With In the Key of Sinatra, two central strands of his musical life finally converge: the pianist and the arranger. It feels as though, after years of traveling parallel paths, these two voices have found a shared terrain - a place where conception and expression meet in full dialogue.When we first began imagining this album, the task felt both exciting and daunting. The repertoire touches some of the most iconic pages associated with the greatest of crooners - songs so deeply woven into our collective memory that they seem almost untouchable. The challenge was not simply to honor them, but to reopen them: to rediscover within these well-known melodies a living space where a new interpretation could breathe. Courthaliac approached this process with near-monastic patience. Each song was dismantled, examined, and patiently reassembled, as though he were searching for a hidden key within it's architecture. Watching the process unfold was fascinating: revisiting, adjusting, starting again - until, little by little, the music settled into that delicate point of equilibrium where a familiar song suddenly feels new again. In this adventure, bassist Sylvain Romano and drummer Gautier Garrigue proved to be invaluable companions. They move through the music with natural elegance, bringing the kind of flexibility, listening, and conversational instinct that only the finest musicians possess. Their presence gives the music room to breathe, to stretch, and to swing freely.The question of the singer remained. For the five songs that feature vocals, the encounter with Christie Dashiell proved decisive. She brings a remarkable intensity and sincerity, allowing emotion to flow along it's most direct and luminous path. Hugh Coltman, perhaps an unexpected presence in this repertoire, enters it with disarming grace. His voice inhabits these songs in a deeply personal way, casting them in a subtle, intimate light that reveals new emotional shades. And while Courthaliac confirms himself here as a remarkable musical director, the album also reveals something new in his playing.As a pianist he seems transformed, venturing into the most intimate corners of the instrument, right at the heart of the sound. Swing is everywhere, his touch is brilliant, yet his improvisations remain free of mannerism, guided above all by a deep and unconditional love for these melodies.Laurent Courthaliac is a musical partner of rare exacting standards. Every detail matters, every nuance is weighed, every silence has meaning. 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On 11\/ 6, Willi releases his epic new album, The Universal Bubba, produced by Tyler Childers. \"\"I've been writing goofy character studies of \"\"Universal Bubbas\"\" for years, trying to capture their DIY spirit: you don't need permission to make the world better, you just need kindness, pals \u0026amp; elbow grease.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 701237217123\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Signature Sounds\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.6.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e","brand":"Signature Sounds","offers":[{"title":"Default Title","offer_id":48864315048036,"sku":"289310991","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/2777\/4052\/files\/4529185-3670660.jpg?v=1785214606"},{"product_id":"pre-order-raul-malo-bella-ciao-live-in-nashville-cd","title":"[PRE-ORDER] Raul Malo - Bella Ciao: Live in Nashville [CD]","description":"\u003cp\u003eOn the eve of Father's Day in 2025, Raul Malo performed what would be his last solo performance, at storied downtown Nashville listening room 3rd \u0026amp; Lindsley.\u003c\/p\u003e\r\n\u003cp\u003eThroughout the performance, Raul invited the audience into his musical world—one shaped equally by Havana, Nashville, Global folk music, boleros, country music, and classic pop standards. 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A visit to Holyrood Palace and to Fingal's Cave on the Isle of Staffa during his 1829 tour of Scotland sowed the seeds of both the Hebrides Overture and the 'Scottish'Symphony, though the latter was not completed until 1842, when Mendelssohn dedicated it to Queen Victoria.By contrast, the sunnier 'Italian' Symphony took shape during his travels in Italy in 1830-31 and was first performed in London in 1833.The extent of Sir John Eliot Gardiner's repertoire is illustrated by the more than 250 recordings he has made for major record companies. 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He was renowned for his phenomenal memory, razor-sharp baton technique, and precise, analytical interpretations of standard and contemporary repertoire. This 18CD set captures the brilliant versatility and stylistic breadth of Lorin Maazel across his complete recordings in the Warner Classics catalog. Spanning four decades of recording (1962 - 2002) the collection highlights Maazel's unique ability to draw exceptionally precise, vivid playing from the world's finest orchestras. It features monumental interpretations of late-Romantic symphonic cornerstones, including Bruckner's 7th and 8th Symphonies with the Berliner Philharmoniker, and iconic early recordings of Richard Strauss and Debussy \u0026amp; Ravel with the Philharmonia. There are collaborations with legendary soloists such as Sviatoslav Richter (Brahms, Bartók, and Prokofiev), Emil Gilels (Tchaikovsky's complete piano concertos), and Frank Peter Zimmermann (Tchaikovsky and Prokofiev violin concertos). 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Allegro moderato (1890 Nowak Version)\u003c\/li\u003e\n\u003cli\u003eSymphony No. 8 in C Minor, WAB 108: II. Scherzo. Allegro moderato - Trio. Langsam (1890 Nowak Version)\u003c\/li\u003e\n\u003cli\u003eSymphony No. 8 in C Minor, WAB 108: III. Adagio. Feierlich langsam, doch nicht schleppend (Nowak 1890 Version)\u003c\/li\u003e\n\u003cli\u003eSymphony No. 8 in C Minor, WAB 108: IV. Finale. Feierlich, nicht schnell (1890 Nowak Version)\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 2 in B-Flat Major, Op. 83: I. Allegro non troppo\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 2 in B-Flat Major, Op. 83: II. Allegro appassionato\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 2 in B-Flat Major, Op. 83: III. Andante\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 2 in B-Flat Major, Op. 83: IV. Allegretto grazioso\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 1 in B-Flat Minor, Op. 23: I. Allegro non troppo e molto maestoso - Allegro con spirito\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 1 in B-Flat Minor, Op. 23: II. Andantino semplice - Prestissimo\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 1 in B-Flat Minor, Op. 23: III. Allegro con fuoco\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 2 in G Major, Op. 44: I. Allegro brillante e molto vivace\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 2 in G Major, Op. 44: II. Andante non troppo\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 2 in G Major, Op. 44: III. Allegro con fuoco\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 3 in E flat, Op. 75 (1995 Remastered Version): Allegro brillante - Cadenza - Tempo I - Vivacissimo\u003c\/li\u003e\n\u003cli\u003eViolin Concerto in D Major, Op. 35: I. Allegro moderato\u003c\/li\u003e\n\u003cli\u003eViolin Concerto in D Major, Op. 35: II. Canzonetta. Andante\u003c\/li\u003e\n\u003cli\u003eViolin Concerto in D Major, Op. 35: III. Finale. Allegro vivacissimo\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 1 in D Major, Op. 19: I. Andantino\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 1 in D Major, Op. 19: II. Scherzo. Vivacissimo\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 1 in D Major, Op. 19: III. Moderato\u003c\/li\u003e\n\u003cli\u003e8 Slavonic Dances, Op. 46, B. 83: Nos. 1-8\u003c\/li\u003e\n\u003cli\u003e8 Slavonic Dances, Op. 72, B. 147: Nos. 9-16\u003c\/li\u003e\n\u003cli\u003ePrélude à l’après-midi d’un faune, CD 87, L. 86\u003c\/li\u003e\n\u003cli\u003ePictures at an Exhibition (Orch. Ravel): Complete\u003c\/li\u003e\n\u003cli\u003eAlso sprach Zarathustra, Op. 30: I-XI\u003c\/li\u003e\n\u003cli\u003eTill Eulenspiegels lustige Streiche, Op. 28\u003c\/li\u003e\n\u003cli\u003eBoléro, M. 81\u003c\/li\u003e\n\u003cli\u003ePavane pour une infante défunte, M. 19 (Orchestral Version)\u003c\/li\u003e\n\u003cli\u003eMiroirs, M. 43: IV. Alborada del Gracioso\u003c\/li\u003e\n\u003cli\u003eLa Valse, M. 72\u003c\/li\u003e\n\u003cli\u003ePiano Concerto in G Major, M. 83: I. Allegramente\u003c\/li\u003e\n\u003cli\u003ePiano Concerto in G Major, M. 83: II. Adagio assai\u003c\/li\u003e\n\u003cli\u003ePiano Concerto in G Major, M. 83: III. Presto\u003c\/li\u003e\n\u003cli\u003ePiano Concerto for the Left Hand in D Major, M. 82\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 2, Sz. 95: I. Allegro\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 2, Sz. 95: II. Adagio - Presto - Adagio\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 2, Sz. 95: III. Allegro molto\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 5 in G Major, Op. 55: I. Allegro con brio\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 5 in G Major, Op. 55: II. Moderato ben accentuato\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 5 in G Major, Op. 55: III. Toccata (Allegro con fuoco)\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 5 in G Major, Op. 55: IV. Larghetto\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 5 in G Major, Op. 55: V. 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With millions of records sold and Spotify numbers that rival time-honored “hits”, the Bridgeport, CT - born hardcore band has spent the last three decades not merely navigating but shaping the sound of heavy music. In a world where the hardcore scene they helped spawn has never been bigger. Hatebreed is on fire.\u003c\/p\u003e\r\n\u003cp\u003eProduced by long-time collaborator, Zeuss (Rob Zombie, Queensryche) HATEBREED’s ninth album and BLKIIBLK Records debut, Fatal Paradox, finds vocalist Jamey Jasta and crew reemerging after six years between releases with an album of blunt force HATEBREED anthems. Kicking off with “Kill Count Increase”, a song as vitriolic and unforgiving as crowd-churners like “Looking Down the Barrel of Today”, thensmashing into the likes of “Decisions Become Destinies” and “Total Invincible”, Fatal Paradox is the sound of HATEBREED doing what it does best. Even now, nearly 35 years into their bloody run, they are as fervored as ever, scorching festival stages including France’s Hellfest, Germany’s Wacken and numerous Danny Wimmer Presents festivals in the US. In 2026, Hatebreed isn't merely an icon of hardcore and extreme music, they remain a force unto themselves.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eKILL COUNT INCREASE\u003c\/li\u003e\n\u003cli\u003eTHE CARRION CHOIR\u003c\/li\u003e\n\u003cli\u003eDECISIONS BECOME DESTINIES\u003c\/li\u003e\n\u003cli\u003eTOTAL INVINCIBLE\u003c\/li\u003e\n\u003cli\u003eFATAL PARADOX\u003c\/li\u003e\n\u003cli\u003eSTILL A THREAT\u003c\/li\u003e\n\u003cli\u003eSACRIFICE SEASON (FEAT. 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Produced by Randall Dunn (Anna von Hausswolff, Sunn O))), Marissa Nadler) and recorded between Iceland, New York and Berlin, the result is an oneiric world where enchantment and danger coexist.The successor to 2020s EP compilation \"\"Fascination\"\" (Reptile Music) and \"\"Oceans of Time\"\" (Sacred Bones, 2022), her collaboration with David Lynch's longtime sound designer Dean Hurley, \"\"The Lying Swans\"\" leads de Oliveira into new territories. Thematically as well as sonically, these nine songs seem to be stepping out of the misty realms of reverb and gauzy fuzz, displaying an earthier, more tactile and thereby vulnerable side. 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Drawing inspiration from poetry, literature, film and visual art as much as music, de Oliveira and Dunn crafted an album that moves effortlessly between the spectral and the pastoral, where echoes of Fantasy and Giallo film scores, ancient folk traditions and the rhythmic tenderness of Bossa Nova, MPB and Tropicália converge. The lyrics likewise weave together mythology with allusions to Milton's Paradise Lost and the poetry of John Keats, Emily Brontë and Anne Sexton. 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