{"title":"CD Preorders Releasing July 10, 2026","description":"\u003cp\u003eSome things to know:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan style=\"color: rgb(0, 152, 47);\"\u003e\u003cstrong\u003e80-90% of preorders arrive by Friday afternoon of the release day\u003c\/strong\u003e,\u003c\/span\u003e but we can't control that. \u003cstrong\u003eWe will ship as soon as your entire order arrives.\u003c\/strong\u003e Usually that will be by Friday afternoon or Saturday morning. But if there are delays, it could be the following Monday, Tuesday, etc. (Ditto for local pickups.)\n\u003cul\u003e\n\u003cli\u003eNOTE: The most common issue is shifting release dates, which we can't control. But as noted below, we will give you options!\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eIf an album you ordered is cancelled, indefinitely delayed, or won't ship to us for whatever reason for more than one week after release day, we will offer a refund for that title.\u003c\/li\u003e\n\u003cli\u003eIf an album is more than 1 week late (usually due to a modified release date) but is coming eventually, we will give you the option to refund or wait for that album.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e Thanks!\u003c\/p\u003e","products":[{"product_id":"pre-order-andrea-biagini-music-from-seamus-vol-35-cd","title":"[PRE-ORDER] Andrea Biagini - Music From Seamus Vol. 35 [CD]","description":"\u003cp\u003eSEAMUS (Society for Electro-Acoustic Music in the United States) releases Volume 36, the 2026 iteration of it's long running series featuring new works by it's member composers. 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The album mixes beautiful and thought-provoking settings of both contemporary and historic poetry with entertaining and often touching song cycles based on online posts and reviews, unusual inspirations for art song. David Sisco believes one way the genre can continue to thrive and engage with today's audiences is through the use of contemporary texts, whether by living poets such as the three he has collaborated with here, or from the myriad virtual town halls one encounters on a daily basis. Song cycle Italianate captures the wit and tenderness of his friend Linda Dini Jenkins' poetry about her travels in Italy, and is performed by the \"mesmerizing\" baritone Michael Kelly, who premiered the cycle in 2014 at Carnegie Hall. Infrastructure by Barbara Worton is performed by the composer himself and was set as a gift for a birthday celebration, perfectly encapsulating a typical New Yorker's skepticism and even a touch of neuroticism. Also performed by David Sisco is Where Memories Go to Die, the final piece in Sisco's song cycle 'Six Dennis Rhodes Poems', and like the poet himself, is a delightful, vulnerable, and joy-filled piece. Turning to writings of past centuries, mezzo-soprano Elizabeth Mondragon gives a powerful performance of the stunning setting of Amy Lowell's epic poem Patterns about a woman's loss during the First World War. Michael Kelly returns in My Best Beloved. Sisco was struck by the raw passion of the work of metaphysical poet Francis Quarles and has brought it forward in this gorgeous and sensuous art song. Missed Connections was written for Sisco's longtime muse, Elizabeth Mondragon, and won the 2010 NATS Composition Award. Set to anonymous posts from classified ad website craigslist. Com, these musical vignettes reflect the human desire to find (or avoid) one another and are surprisingly affecting. The Wrong Kind of Fountain Enthusiast is a song cycle set to colourful online reviews across the United States, often savage and hilarious, and, as with Missed Connections, uses a variety of musical idioms. Dear God, a cycle of children's prayers, tenderly captures the delicious mix of simplicity and complexity in these miniature compositions. Both feature the \"powerful and expressive voice\" (Classical Scene) of soprano Laura Strickling. Throughout the album, the superb voices are supported by the \"poetic\" (Washington Post) performances of pianist David Fung. David Sisco is an award-winning composer whose vocal and theatrical works have been performed at major venues such as Carnegie Hall and Lincoln Center. He has received commissions from choirs and ensembles across the US. 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He has appeared at the Musikverein and the Salzburg Mozarteum to name just two prestigious European venues among many that have witnessed his performances. Mentored by Stanislav Ioudenitch, the gold medallist at the 2001 Van Cliburn, Jonathan is a fearless virtuoso combined with rare emotional depth. 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An explosive, anthemic new record that looks to the future as much as embodying their wildly successful past. Including singles 'Giving Up Air', 'Lucky Dimes' and 'Into The Wild', Sungazer sees a new era of The Temper Trap unfurl. 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Emerging from Los Angeles in the early '80s, the band played a crucial role in shaping the U.S. speed metal sound, pushing speed, aggression and precision at a time when the genre was still being defined. Their uncompromising approach left a lasting mark on the underground and influenced generations of bands that followed.Curse The Night (82-84 Demos) gathers the earliest studio recordings ever made by Savage Grace. Recorded between 1982 and 1984, these sessions capture the band in a raw developmental stage, already displaying the speed, structure and intensity that would later define their classic sound. While the 1982 recordings feature an earlier line-up, the 1984 demos were recorded by the same line-up responsible for the The Dominatress EP, offering a rare look into the band's creative origins and early studio identity.Curse The Night (82-84 Demos) has been fully remastered from the best audio sources available. 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One of the hidden gems of the European heavy metal underground, Burnin' Out is finally getting the treatment it deserves!Formed in Belgium in the early '80s, FN GUNS earned a solid following with their explosive blend of traditional heavy metal and hard rock energy, channeling the grit of Judas Priest, the power of Saxon, and the swagger of AC\/DC. After their acclaimed albums Wild Child (1983) and Nightmare (1984), the band returned with Burnin' Out - a more polished yet still fierce release, marked by sharp riffs, thundering rhythms, and memorable hooks.Originally released in 1987 through Stone Records in Belgium, Burnin' Out came out exclusively on vinyl, with a very limited pressing and no official CD release - until now. Copies of the original LP have become extremely rare and sought-after by collectors worldwide.This new Lost Realm Records edition brings Burnin' Out back to life with remastered audio, restored artwork, and an expanded booklet featuring liner notes, and rare photos. A true celebration of a band that deserves to be remembered!Perfect for fans of '80s European heavy metal, this is a must-have reissue that sheds light on one of Belgium's best-kept secrets.For fans of: SAXON, SCORPIONS, ACCEPT, JUDAS PRIEST, AC\/DC.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eRunaway Track\u003c\/li\u003e\n\u003cli\u003eInto the Gloom\u003c\/li\u003e\n\u003cli\u003eBurnin' Out\u003c\/li\u003e\n\u003cli\u003eLoveless Man\u003c\/li\u003e\n\u003cli\u003eAngel Face\u003c\/li\u003e\n\u003cli\u003eEvil Race\u003c\/li\u003e\n\u003cli\u003eNever Come My Way\u003c\/li\u003e\n\u003cli\u003eHighway to the Top\u003c\/li\u003e\n\u003cli\u003eShadows and Light\u003c\/li\u003e\n\u003cli\u003eBlue Gun\u003c\/li\u003e\n\u003cli\u003eMarathon Man (Bonus Track)\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 5601218181182\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Lost Realm Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.10.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Lost Realm Records","offers":[{"title":"Default Title","offer_id":48213313060964,"sku":"148586973","price":16.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/2777\/4052\/files\/4506682-3560407.jpg?v=1775532742"},{"product_id":"pre-order-alice-cooper-welcome-2-my-nightmare-reissue-cd","title":"[PRE-ORDER] Alice Cooper - Welcome 2 My Nightmare Reissue [CD]","description":"\u003cp\u003eThe Architect of Shock Rock, Alice Cooper, is set to reissue two of his late-career highlights, \"Along Came A Spider\" (2008) and \"Welcome 2 My Nightmare\" (2011), on vinyl in 2026. 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Emerging from Los Angeles in the early '80s, the band played a crucial role in shaping the U.S. speed metal sound, pushing speed, aggression and precision at a time when the genre was still being defined. Their uncompromising approach left a lasting mark on the underground and influenced generations of bands that followed.New York Daze unveils a long-lost chapter in the band's history. Recorded between 1989 and 1991, this previously unreleased album was intended to mark a new era for Savage Grace, with plans for a major label release that ultimately never came to fruition. During this period, founder Chris Logue relocated from Los Angeles to New York, a transition that influenced a shift in musical direction toward a more hard rock-driven approach, while still retaining the band's metallic core.New York Daze has been fully remastered from the best audio sources available. 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Recorded with the new guitarist Pat Lemoine (from the Belgian band CRYME), the album continues in the tradition of the band's previous albums, uniquely blending classic heavy metal with elements of hard rock.Formed in 1982 in Liège, Belgium, FN GUNS gained notoriety with their self-produced debut album Wild Child (1982). After signing with Mausoleum Records, they released the mini-album FN Guns (1983) and Nightmare (1984). In 1987, they released the album Burnin' Out with some changes in the lineup. For Good Shot, the band already had Steve Rodgers on vocals and the addition of Pat Lemoine on guitar brought a new dynamic to the sound.Good Shot features nine tracks that mix heavy riffs and melodic hooks. Tracks like \"Don't Cross The Line\" and \"S.O.S. For Love\" highlight the band's ability to create catchy songs, while the cover of The Beatles' \"I'm the Walrus\" offers a metallic reinterpretation of an all-time classic. The album stands as a testament to FN GUNS' perseverance in the vibrant European metal scene of the 1980s, also capturing the essence of Belgian heavy metal and the band's ambition to reach a wider audience.Reissued for the first time in 35 years since it's original release, we are pleased to bring you the definitive edition of Good Shot in CD format, featuring previously remastered audio, unreleased bonus tracks, and booklet with rare photos plus band biography depicting this era of the band.For fans of: STEELOVER, AC\/DC, SCORPIONS, SAXON.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDon't Cross the Line\u003c\/li\u003e\n\u003cli\u003eShe Goes on\u003c\/li\u003e\n\u003cli\u003eSos for Love\u003c\/li\u003e\n\u003cli\u003eThe Hero\u003c\/li\u003e\n\u003cli\u003eI'm the Walrus\u003c\/li\u003e\n\u003cli\u003eAll the Night\u003c\/li\u003e\n\u003cli\u003eUntil I Die\u003c\/li\u003e\n\u003cli\u003eCan't See It No Way\u003c\/li\u003e\n\u003cli\u003eTeenagers Rampage\u003c\/li\u003e\n\u003cli\u003eRock Me (Bonus Track)\u003c\/li\u003e\n\u003cli\u003eSayonara (Bonus Track)\u003c\/li\u003e\n\u003cli\u003eDon't Go (Bonus Track)\u003c\/li\u003e\n\u003cli\u003eSexy Lizzy (Bonus Track)\u003c\/li\u003e\n\u003cli\u003eMan in Disgrace (Bonus Track)\u003c\/li\u003e\n\u003cli\u003eGimme Some More (Bonus Track)\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 5601218181199\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Lost Realm Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.10.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Lost Realm Records","offers":[{"title":"Default Title","offer_id":48213315289188,"sku":"148564945","price":16.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/2777\/4052\/files\/4506683-3560408.jpg?v=1775532776"},{"product_id":"pre-order-shoot-shorter-pure-rock-intox-cd","title":"[PRE-ORDER] Shoot Shorter - Pure Rock Intox [CD]","description":"\u003cp\u003eThe annals of Belgian heavy music history are being rewritten with the first-ever CD release of \"Pure Rock Intox,\" the definitive studio recording by Liège-based quintet SHOOT SHORTER. Formed in mid-1989, the group represented a powerful reunion of creative forces, led by guitarist Rudi Vandenbossche and vocalist Steve Shorter, both veteran members of the legendary Belgian metal outfit FN GUNS. While the project initially took shape on the local circuit as a high-energy cover act, the undeniable chemistry between the members soon pivoted the band toward a professional path of original composition and full-time dedication.By early 1992, following a series of commanding live performances in their hometown, SHOOT SHORTER entered the studio to capture their signature sound. The resulting album, \"Pure Rock Intox,\" masterfully maintained the sonic architecture established during their tenure with FN GUNS, delivering a sophisticated blend of hard n' heavy music built upon straightforward, driving riffs and meticulously crafted vocal harmonies. Despite it's quality and the pedigree of it's members, the album was originally only available as a limited cassette release, leaving it as a coveted mystery for fans of the genre for over three decades.This CD edition will finally grant \"Pure Rock Intox\" the recognition it deserves, featuring eight original tracks that capture the energy and the musical roots of the band. Enhancing the listening experience, the physical edition includes a comprehensive booklet featuring complete lyrics, a detailed band biography, and a collection of rare, previously unseen archival photos. 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The album is a culmination of years of artistic exploration, mentorship, and collaborative discovery. It features standout performances, including a trumpet solo by jazz legend Randy Brecker on Pauline's original composition Just One Song and a duet with Janis Siegel of the Manhattan Transfer on the title track.This 10-track recording includes one original composition and nine interpretations of jazz standards, cinematic favorites, and musical theatre classics. The repertoire reflects Pauline's deep engagement with the Great American Songbook, the narrative richness of musical theatre, and the improvisational possibilities of jazz. Each track captures a moment of musical conversation and spontaneous discovery, anchored by Pauline's luminous voice and emotional depth.The project gained momentum in 2023, when Pauline met Siegel in Sweden through pianist Mattias Nilsson. Their first duet sparked a musical understanding that quickly evolved into mentorship and collaboration. Siegel later introduced Pauline to pianist, arranger, and producer John Di Martino, whose arrangements and artistic direction shape the album's sound. Di Martino assembled a group of top New York jazz musicians and crafted each arrangement to showcase both Pauline's voice and the ensemble's improvisational interplay. The sessions were recorded in New York with a strong emphasis on live interaction, allowing the music to unfold naturally.For Pauline, Lucky To Be Me realizes a long-held dream while marking a personal and musical turning point. Recording in New York, the birthplace of much of the music that inspired her, was both symbolic and deeply meaningful. Working closely with Di Martino, Pauline blended her Nordic sensibility with the rhythmic vitality and storytelling of American jazz. This creative dialogue has produced arrangements that honor the original material while highlighting her distinctive interpretive voice.This collaborative approach shape the album's repertoire, which combines an original composition with reinterpretations of classics from jazz, film, and musical theatre. Tracks like Leonard Bernstein's Lucky To Be Me and Michel Legrand's Les Parapluies de Cherbourg showcase Pauline's capacity to inhabit each song fully, while Rodgers \u0026amp; Hammerstein's The Sound of Music and Josef Myrow's Autumn Nocturne highlight her subtle phrasing and improvisational creativity. Collaborators including saxophonist Aaron Heick, trumpeter Freddie Hendricks, and percussionists Khalil Kwame Bell and Vince Cherico bring drive and textural richness to each performance.Recorded at Trading 8s Recording Studio in New Jersey, with duets tracked in Sweden, and mixed and mastered by Dave Darlington at Bass Hit Studio in New York City, the album unites two musical worlds: a Nordic jazz voice in dialogue with American tradition, enriched by mentorship and musical lineage. 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This unique method features different levels of notation allowing the performer varying degrees of freedom to manipulate choices around a set core. The composer states that his hope is \"to reward any pianist with even modest ability with immediate success\" (Pieces for Pianists Vol 1 \u0026amp; 2) in creating something beautiful and expressive while also providing a challenge to more accomplished pianists to explore new territory. Irish pianist Mary Dullea is Eric Craven's collaborator on all these recordings and in Set Two for Piano she brings her long experience of realising Eric's music to her wonderfully instinctive performance. This new collection offers 12 hugely enjoyable pieces that are more expansive than the previous SET, each plainly numbered without named titles. They reference a range of different styles, from toccata-like study to jaunty waltz, often with a backbone of jazz, and all varying from low-, middle- to high order notation, the levels of non-prescription with which Craven presents the score. Low-order refers to music that appears with pitch and rhythm plus bar-lines; high-order is only pitches; and middle-order somewhere in between. There are no other details given such as tempo, time-signatures, dynamics, articulation, character, or duration. \"... there is a day when the recording must be made with that version of the piece committed to a presence in the world for others to hear! Essentially I am pushed to make decisions about the performances at every moment; one might say that this is part of the spontaneity of the act of performance anyway but what is particular to this is that, apart from pitches and rhythms... I aways have the choice to do something else. So, the journey from first receiving a score to defining one interpretation is a combination of experimentation and control.\" American Record Guide has previously said of the collaboration between Eric Craven and Mary Dullea: \"the result of this artistic input from these two musicians is of true artistic alchemy\". \"Much of Set for Piano is abrasively wantonly tonal - abrasive in the sense that Craven's tonality is literal and daringly untreated; triads shocking in their nakedness... He cuts across stylistic allegiances, those same old same old allegiances that box so many composers in.\" Philip Clark, Gramophone. Manchester-born Eric Craven has left little musical footprint. He has composed since his teenage years but has rarely sought to introduce his music to a wider audience through performance or publication. The original SET was the first of his 'non-prescriptive' compositions to be recorded after Craven was persuaded by leading and eminent pianists to make his work available. This was followed by Entangled States, a set of forty-eight short pieces and two volumes of Pieces for Pianists - a collection intended to present more immediately accessible scores to a wider audience of pianists. Also released on Divine Art were his highly acclaimed Piano Sonatas 7,8 and 9, also with Mary Dullea. Mary Dullea enjoys a very busy career as a soloist and chamber musician and regularly performs and broadcasts internationally. Her exceptional discography demonstrates her support and championing of new music, and her pianism, musicality and remarkable virtuosity make her an ideal interpreter. She is currently Director of Performance at Royal Holloway, University of London, where she is also a Professor in Music. She has collaborated with Eric Craven for many years, with a number of releases on Divine Art and Metier.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 809730713927\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Metier\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.10.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e","brand":"Metier","offers":[{"title":"Default Title","offer_id":48283666415716,"sku":"163251628","price":25.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/2777\/4052\/files\/4510362-3573498.jpg?v=1776698116"},{"product_id":"pre-order-nikolaus-harnoncourt-complete-teldec-recordings-box-cd","title":"[PRE-ORDER] Nikolaus Harnoncourt - Complete Teldec Recordings (Box) [CD]","description":"\u003cp\u003eNikolaus Harnoncourt's relationship with the Royal Concertgebouw Orchestra was one of the most transformative partnerships in modern orchestral history, lasting 38 years and totalling 276 concerts. What made the partnership unique was the mutual respect between the maestro and the ensemble. While many traditional orchestras initially resisted Harnoncourt's strict adherence to historical scores, the Concertgebouw musicians embraced his intellectual rigor. Over several decades, they developed a distinctive \"Amsterdam style\" of performing the First Viennese School - Mozart, Haydn, Beethoven - combining the orchestra's legendary warmth with Harnoncourt's sharp, dramatic energy. The recorded legacy of this collaboration remains a cornerstone of the classical catalog. Their famous cycles of Mozart and Haydn symphonies were highly acclaimed, as was their profound interpretation of Schubert's complete symphonic works, which continue to be benchmarks for critics and collectors alike. The box also includes the famous Mozart\/Da Ponte trilogy (Don Giovanni, Le nozze di Figaro and Così fan tutte), starring Thomas Hampson, works by Bruckner, Johann Strauss and Brahms, as well as four albums by Dvorak (his major symphonies and his piano concerto)\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSymphony No. 40 in G Minor, K. 550: I. Molto allegro\u003c\/li\u003e\n\u003cli\u003eSymphony No. 40 in G Minor, K. 550: II. Andante\u003c\/li\u003e\n\u003cli\u003eSymphony No. 40 in G Minor, K. 550: III. Menuetto. Allegretto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 40 in G Minor, K. 550: IV. Allegro assai\u003c\/li\u003e\n\u003cli\u003eSymphony No. 25 in G Minor, K. 183: I. Allegro con brio\u003c\/li\u003e\n\u003cli\u003eSymphony No. 25 in G Minor, K. 183: II. Andante\u003c\/li\u003e\n\u003cli\u003eSymphony No. 25 in G Minor, K. 183: III. Menuetto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 25 in G Minor, K. 183: IV. Allegro\u003c\/li\u003e\n\u003cli\u003eSymphony No. 26 in E-Flat Major, K. 184: I. Molto presto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 26 in E-Flat Major, K. 184: II. Andante\u003c\/li\u003e\n\u003cli\u003eSymphony No. 26 in E-Flat Major, K. 184: III. Allegro\u003c\/li\u003e\n\u003cli\u003eSymphony No. 28 in C Major, K. 200: I. Allegro spiritoso\u003c\/li\u003e\n\u003cli\u003eSymphony No. 28 in C Major, K. 200: II. Andante\u003c\/li\u003e\n\u003cli\u003eSymphony No. 28 in C Major, K. 200: III. Menuetto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 28 in C Major, K. 200: IV. Presto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 30 in D Major, K. 202: I. Molto allegro\u003c\/li\u003e\n\u003cli\u003eSymphony No. 30 in D Major, K. 202: II. Andantino con moto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 30 in D Major, K. 202: III. Menuetto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 30 in D Major, K. 202: IV. Presto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 39 in E-Flat Major, K. 543: I. Adagio - Allegro\u003c\/li\u003e\n\u003cli\u003eSymphony No. 39 in E-Flat Major, K. 543: II. Andante con moto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 39 in E-Flat Major, K. 543: III. Menuetto. Allegretto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 39 in E-Flat Major, K. 543: IV. Finale. Allegro\u003c\/li\u003e\n\u003cli\u003eSymphony No. 29 in A Major, K. 201: I. Allegro moderato\u003c\/li\u003e\n\u003cli\u003eSymphony No. 29 in A Major, K. 201: II. Andante\u003c\/li\u003e\n\u003cli\u003eSymphony No. 29 in A Major, K. 201: III. Menuetto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 29 in A Major, K. 201: IV. Allegro con spirito\u003c\/li\u003e\n\u003cli\u003eSymphony No. 33 in B-Flat Major, K. 319: I. Allegro assai\u003c\/li\u003e\n\u003cli\u003eSymphony No. 33 in B-Flat Major, K. 319: II. Andante moderato\u003c\/li\u003e\n\u003cli\u003eSymphony No. 33 in B-Flat Major, K. 319: III. Menuetto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 33 in B-Flat Major, K. 319: IV. Finale. Allegro assai\u003c\/li\u003e\n\u003cli\u003eSymphony No. 31 in D Major, K. 297 \"Paris\": I. Allegro assai\u003c\/li\u003e\n\u003cli\u003eSymphony No. 31 in D Major, K. 297 \"Paris\": II. Andante\u003c\/li\u003e\n\u003cli\u003eSymphony No. 31 in D Major, K. 297 \"Paris\": III. Allegro\u003c\/li\u003e\n\u003cli\u003eSymphony No. 31 in D Major, K. 297 \"Paris\": II. Andante (Alternate Version)\u003c\/li\u003e\n\u003cli\u003eSymphony No. 36 in C Major, K. 425 \"Linz\": I. Adagio - Allegro spiritoso\u003c\/li\u003e\n\u003cli\u003eSymphony No. 36 in C Major, K. 425 \"Linz\": II. Andante\u003c\/li\u003e\n\u003cli\u003eSymphony No. 36 in C Major, K. 425 \"Linz\": III. Menuetto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 36 in C Major, K. 425 \"Linz\": IV. Presto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 32 in G Major, K. 318: I. Allegro spiritoso\u003c\/li\u003e\n\u003cli\u003eSymphony No. 32 in G Major, K. 318: II. Andante\u003c\/li\u003e\n\u003cli\u003eSymphony No. 32 in G Major, K. 318: III. Primo tempo\u003c\/li\u003e\n\u003cli\u003eLucio Silla, K. 135: Overtura: I. Molto allegro\u003c\/li\u003e\n\u003cli\u003eLucio Silla, K. 135: Overtura: II. Andante\u003c\/li\u003e\n\u003cli\u003eLucio Silla, K. 135: Overtura: III. Molto allegro\u003c\/li\u003e\n\u003cli\u003eSymphony No. 35 in D Major, K. 385 \"Haffner\": I. Allegro con spirito\u003c\/li\u003e\n\u003cli\u003eSymphony No. 35 in D Major, K. 385 \"Haffner\": II. Andante\u003c\/li\u003e\n\u003cli\u003eSymphony No. 35 in D Major, K. 385 \"Haffner\": III. Menuetto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 35 in D Major, K. 385 \"Haffner\": IV. Finale. Presto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 34 in C Major, K. 338: I. Allegro vivace\u003c\/li\u003e\n\u003cli\u003eSymphony No. 34 in C Major, K. 338: II. Andante di molto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 34 in C Major, K. 338: III. Finale. Allegro vivace\u003c\/li\u003e\n\u003cli\u003eSymphony No. 38 in D Major, K. 504 \"Prague\": I. Adagio - Allegro\u003c\/li\u003e\n\u003cli\u003eSymphony No. 38 in D Major, K. 504 \"Prague\": II. Andante\u003c\/li\u003e\n\u003cli\u003eSymphony No. 38 in D Major, K. 504 \"Prague\": III. Finale. Presto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 41 in C Major, K. 551 \"Jupiter\": I. Allegro vivace\u003c\/li\u003e\n\u003cli\u003eSymphony No. 41 in C Major, K. 551 \"Jupiter\": II. Andante cantabile\u003c\/li\u003e\n\u003cli\u003eSymphony No. 41 in C Major, K. 551 \"Jupiter\": III. Menuetto. Allegretto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 41 in C Major, K. 551 \"Jupiter\": IV. Molto allegro\u003c\/li\u003e\n\u003cli\u003eConcerto for Two Pianos No. 10 in E-Flat Major, K. 365: I. Allegro\u003c\/li\u003e\n\u003cli\u003eConcerto for Two Pianos No. 10 in E-Flat Major, K. 365: II. Andante\u003c\/li\u003e\n\u003cli\u003eConcerto for Two Pianos No. 10 in E-Flat Major, K. 365: III. Rondeau. Allegro\u003c\/li\u003e\n\u003cli\u003eFantasy for Two Pianos\u003c\/li\u003e\n\u003cli\u003ePing-Pong\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 26 in D Major, K. 537 \"Coronation\": I. Allegro\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 26 in D Major, K. 537 \"Coronation\": II. Larghetto\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 26 in D Major, K. 537 \"Coronation\": III. Allegretto\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 23 in A Major, K. 488: I. Allegro\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 23 in A Major, K. 488: II. Andante\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 23 in A Major, K. 488: III. Allegro assai\u003c\/li\u003e\n\u003cli\u003eCosì fan tutte, K. 588 Complete Opera\u003c\/li\u003e\n\u003cli\u003eDon Giovanni, K. 527: Complete Opera\u003c\/li\u003e\n\u003cli\u003eLe nozze di Figaro, K. 492: Complete Opera\u003c\/li\u003e\n\u003cli\u003eThamos, K. 345, Act 1: Chor. \"Schon weichet dir, Sonne\"\u003c\/li\u003e\n\u003cli\u003eThamos, K. 345, Act 1: Interlude\u003c\/li\u003e\n\u003cli\u003eThamos, K. 345, Act 2: Interlude\u003c\/li\u003e\n\u003cli\u003eThamos, K. 345, Act 3: Interlude\u003c\/li\u003e\n\u003cli\u003eThamos, K. 345, Act 4: Interlude\u003c\/li\u003e\n\u003cli\u003eThamos, K. 345, Act 5: Chor. \"Gottheit, über alle mächtig!\"\u003c\/li\u003e\n\u003cli\u003eThamos, K. 345, Act 5: Interlude - Solo von Sethos und Chor \"Ihr Kinder des Staubes, erzittert und bebet\"\u003c\/li\u003e\n\u003cli\u003ePrima la musica e poi le parole: Sinfonia\u003c\/li\u003e\n\u003cli\u003ePrima la musica e poi le parole: Duetto. \"Signor Poeta mio\" (Poeta, Maestro)\u003c\/li\u003e\n\u003cli\u003ePrima la musica e poi le parole: Recitativo. \"Non dubitar, verrò\" (Eleonora)\u003c\/li\u003e\n\u003cli\u003ePrima la musica e poi le parole: Aria. \"Là tu vedrai chi sono\" (Eleonora)\u003c\/li\u003e\n\u003cli\u003ePrima la musica e poi le parole: Trio. \"Cari oggetti\" (Eleonora, Poeta, Maestro)\u003c\/li\u003e\n\u003cli\u003ePrima la musica e poi le parole: Aria. \"Via largo, largo, largo\" - Recitativo. \"Voi non piangete, o perfidi?\" (Tonina, Poeta, Ma\u003c\/li\u003e\n\u003cli\u003ePrima la musica e poi le parole: Cavatina. \"Cucuzze! Che concorso\" (Tonina)\u003c\/li\u003e\n\u003cli\u003ePrima la musica e poi le parole: Finale. \"Se questo mio pianto il cor non ti tocca\" (Eleonora, Tonina, Poeta, Maestro)\u003c\/li\u003e\n\u003cli\u003eDer Schauspieldirektor, K. 486: Ouvertüre\u003c\/li\u003e\n\u003cli\u003eDer Schauspieldirektor, K. 486: Ariette. \"Da schlägt die Abschiedsstunde\" (Madame Herz)\u003c\/li\u003e\n\u003cli\u003eDer Schauspieldirektor, K. 486: Rondo. \"Bester Jüngling! Mit Entzücken\" (Mademoiselle Silberklang)\u003c\/li\u003e\n\u003cli\u003eDer Schauspieldirektor, K. 486: Terzett. \"Ich bin die erste Sängerin\" (Madame Herz, Mademoiselle Silberklang, Monsieur Vogelsan\u003c\/li\u003e\n\u003cli\u003eDer Schauspieldirektor, K. 486: Vaudeville. \"Jeder Künstler strebt nach Ehre\" (Madame Herz, Mademoiselle Silberklang, Monsieur\u003c\/li\u003e\n\u003cli\u003eSymphony No. 93 in D Major, Hob. I:93: I. Adagio - Allegro assai\u003c\/li\u003e\n\u003cli\u003eSymphony No. 93 in D Major, Hob. I:93: II. Largo cantabile\u003c\/li\u003e\n\u003cli\u003eSymphony No. 93 in D Major, Hob. I:93: III. Menuetto - Trio\u003c\/li\u003e\n\u003cli\u003eSymphony No. 93 in D Major, Hob. I:93: IV. Finale. Presto ma non troppo\u003c\/li\u003e\n\u003cli\u003eSymphony No. 100 in G Major, Hob. I:100 \"Military\": I. Adagio - Allegro\u003c\/li\u003e\n\u003cli\u003eSymphony No. 100 in G Major, Hob. I:100 \"Military\": II. Allegretto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 100 in G Major, Hob. I:100 \"Military\": III. Menuetto. Moderato\u003c\/li\u003e\n\u003cli\u003eSymphony No. 100 in G Major, Hob. I:100 \"Military\": IV. Finale. Presto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 68 in B-Flat Major, Hob. I:68: I. Vivace\u003c\/li\u003e\n\u003cli\u003eSymphony No. 68 in B-Flat Major, Hob. I:68: II. Menuetto - Trio\u003c\/li\u003e\n\u003cli\u003eSymphony No. 68 in B-Flat Major, Hob. I:68: III. Adagio cantabile\u003c\/li\u003e\n\u003cli\u003eSymphony No. 68 in B-Flat Major, Hob. I:68: IV. Finale. Presto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 94 in G Major, Hob. I:94 \"Surprise\": I. Adagio cantabile - Vivace assai\u003c\/li\u003e\n\u003cli\u003eSymphony No. 94 in G Major, Hob. I:94 \"Surprise\": II. Andante\u003c\/li\u003e\n\u003cli\u003eSymphony No. 94 in G Major, Hob. I:94 \"Surprise\": III. Menuetto - Trio\u003c\/li\u003e\n\u003cli\u003eSymphony No. 94 in G Major, Hob. I:94 \"Surprise\": IV. Finale. Allegro di molto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 95 in C Minor, Hob. I:95: I. Allegro\u003c\/li\u003e\n\u003cli\u003eSymphony No. 95 in C Minor, Hob. I:95: II. Andante\u003c\/li\u003e\n\u003cli\u003eSymphony No. 95 in C Minor, Hob. I:95: III. Menuetto - Trio\u003c\/li\u003e\n\u003cli\u003eSymphony No. 95 in C Minor, Hob. I:95: IV. Finale. Vivace\u003c\/li\u003e\n\u003cli\u003eSymphony No. 96 in D Major, Hob. I:96 \"Miracle\": I. Adagio - Allegro\u003c\/li\u003e\n\u003cli\u003eSymphony No. 96 in D Major, Hob. I:96 \"Miracle\": II. Andante\u003c\/li\u003e\n\u003cli\u003eSymphony No. 96 in D Major, Hob. I:96 \"Miracle\": III. Menuetto. Allegretto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 96 in D Major, Hob. I:96 \"Miracle\": IV. Finale. Vivace assai\u003c\/li\u003e\n\u003cli\u003eSymphony No. 97 in C Major, Hob. I:97: I. Adagio - V\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 5026854176208\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Warner Classics\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.10.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Warner Classics","offers":[{"title":"Default Title","offer_id":48283666710628,"sku":"162300868","price":139.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/2777\/4052\/files\/4510123-3570187.jpg?v=1776698121"},{"product_id":"pre-order-christoph-croise-folklore-cd","title":"[PRE-ORDER] Christoph Croisé - Folklore [CD]","description":"\u003cp\u003eFolklore takes the listener on a musical journey throughout 19th and 20th century France, Georgia, Hungary and Spain. Through different styles and soundscapes, the compositions are united by the spirit of folk traditions and national character, as well as personal memories of the performers - Swiss-French cellist Christoph Croise and Georgian pianist Ana Bakradze. Works originally conceived for their instrumental combination sit alongside transcriptions that fit their sound world like a glove, a testament to the popularity of all the music on this album.Siete Canciones populares Españolas, a set of seven traditional Spanish songs by Manuel de Falla, is his most-arranged composition and among his most popular. Bela Bartok's Six Romanian Folk Dances, originally composed for solo piano, were drawn from melodies the composer recorded of folk musicians singing in the countryside of his Hungarian homeland. Hungarian influences infuse Pablo de Sarasate's Zigeunerweisen (Gypsy Airs), originally scored for violin and orchestra. Sulkhan Tsintsadze's Five Pieces on Georgian Folk Themes evoke childhood memories for pianist Ana, especially the fourth, a lullaby that her mother used to sing to her.The most substantial work on the album, Robert Schumann's Funf Stucke i'm Volkston (Five Pieces in Folk Style) conjures the harmonies and rhythms of folk music.French national character imbues Nadia Boulanger's Trois pièces (Three Pieces) and works by her teacher Gabriel Faure: his elegant Sicilienne - originally penned for orchestra but frequently adapted for cello and piano - and his ever-popular miniature 'Après un rêve' (After a dream) from his Trois Melodies (Three Melodies).When asked about their own connections to this music and what they wish for the listener, Christoph and Ana agree, \"Above all, joy! We share a love for the roots in these pieces and the inspiration they provided to the composers. For this album, we've selected our favourite miniatures. Some are well known, others are more personal, but they all connect to the spirit of folk traditions in some way. It's about the lasting pleasure of connecting through music we love.\"\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 822252283723\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Avie\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.10.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e","brand":"Avie","offers":[{"title":"Default Title","offer_id":48283666874468,"sku":"163209012","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/2777\/4052\/files\/4510320-3573499.jpg?v=1776698123"},{"product_id":"pre-order-mykhailo-sosnovsky-lipkis-pierrot-friends-cd","title":"[PRE-ORDER] Mykhailo Sosnovsky - Lipkis: Pierrot \u0026 Friends [CD]","description":"\u003cp\u003eInternationally acclaimed performer, professor and composer Larry Lipkis has written over 100 works for a variety of vocal and instrumental ensembles. Lipkis's love of commedia dell'arte stems from his career as a performer of Renaissance music, and these four concerti are musical depictions of characters from this popular theater tradition. The impish and impetuous Pierrot is personified by the bassoon, while his love interest Columbina flits and charms through a mercurial violin. The gently youthful Innamorata or female lover is expressed through a translucently accompanied flute, and the romantic entanglements and acrobatic humor of Harlequin is a perfect fit for the outsized musical personality of the bass trombone.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 636943996324\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Naxos\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.10.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e","brand":"Naxos","offers":[{"title":"Default Title","offer_id":48283668185188,"sku":"163493482","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/2777\/4052\/files\/4510373-3573489.jpg?v=1776698129"},{"product_id":"pre-order-ambur-braid-halevy-la-juive-cd","title":"[PRE-ORDER] Ambur Braid - Halevy: La Juive [CD]","description":"\u003cp\u003eFromental Halévy's five-act grand opera La Juive charts the forbidden love between a Christian man and a Jewish woman, and the tragedy that ensues. The work's pageantry, opulence, and thrilling music made it one of the most enduringly successful operas of the 19th century, with more than 500 performances in Paris alone. 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