{"title":"CD Preorders Releasing June 26, 2026","description":"\u003cp\u003eSome things to know:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan style=\"color: rgb(0, 152, 47);\"\u003e\u003cstrong\u003e80-90% of preorders arrive by Friday afternoon of the release day\u003c\/strong\u003e,\u003c\/span\u003e but we can't control that. \u003cstrong\u003eWe will ship as soon as your entire order arrives.\u003c\/strong\u003e Usually that will be by Friday afternoon or Saturday morning. But if there are delays, it could be the following Monday, Tuesday, etc. (Ditto for local pickups.)\n\u003cul\u003e\n\u003cli\u003eNOTE: The most common issue is shifting release dates, which we can't control. But as noted below, we will give you options!\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eIf an album you ordered is cancelled, indefinitely delayed, or won't ship to us for whatever reason for more than one week after release day, we will offer a refund for that title.\u003c\/li\u003e\n\u003cli\u003eIf an album is more than 1 week late (usually due to a modified release date) but is coming eventually, we will give you the option to refund or wait for that album.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e Thanks!\u003c\/p\u003e","products":[{"product_id":"pre-order-embrace-avalanche-cd","title":"[PRE-ORDER] Embrace - Avalanche [CD]","description":"\u003cp\u003eWith chart-defining records, sold-out tours and festival headline slots behind them, Embrace remain one of the defining bands of their generation. Avalanche, their ninth studio album, arrives in 2026 as the band celebrate their 30th anniversary. Written and recorded with a renewed sense of perspective, Avalanche sees the band stripping things back emotionally and sonically. Danny McNamara describes the record as the most honest and open work Embrace have made, choosing feel over Polish and allowing songs to remain imperfect, unresolved, and human. Remarkably, the band's line-up has remained unchanged since 1996 - a rare continuity that underpins their longevity. Rather than offering answers, the album sits with the reality that life is fragile, overwhelming, and fleeting - and that meaning often exists in paying attention to what's already here. Thirty years into their career, Embrace sound less concerned with legacy and more committed to capturing something real, right now. Avalanche is released June 12, 2026. More information on Embrace's live shows and 30th anniversary events can be found at embrace. Co. UK. 'We came into this album with a really simple idea: that real, deep, honest-to-God joy doesn't live in the big, dramatic moments we're all taught to chase. It doesn't live in huge, unattainable goals or impressive, life-changing achievements. It lives in the small, almost invisible flashes of magic that happen when you slow down and actually live in the moment. Lyrically, I was trying to capture those little magic moments. Ironically, I've spent most of my life not noticing them, and when I finally did, they all came at once - it's been pretty overwhelming. 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The album mixes beautiful and thought-provoking settings of both contemporary and historic poetry with entertaining and often touching song cycles based on online posts and reviews, unusual inspirations for art song. David Sisco believes one way the genre can continue to thrive and engage with today's audiences is through the use of contemporary texts, whether by living poets such as the three he has collaborated with here, or from the myriad virtual town halls one encounters on a daily basis. Song cycle Italianate captures the wit and tenderness of his friend Linda Dini Jenkins' poetry about her travels in Italy, and is performed by the \"mesmerizing\" baritone Michael Kelly, who premiered the cycle in 2014 at Carnegie Hall. Infrastructure by Barbara Worton is performed by the composer himself and was set as a gift for a birthday celebration, perfectly encapsulating a typical New Yorker's skepticism and even a touch of neuroticism. Also performed by David Sisco is Where Memories Go to Die, the final piece in Sisco's song cycle 'Six Dennis Rhodes Poems', and like the poet himself, is a delightful, vulnerable, and joy-filled piece. Turning to writings of past centuries, mezzo-soprano Elizabeth Mondragon gives a powerful performance of the stunning setting of Amy Lowell's epic poem Patterns about a woman's loss during the First World War. Michael Kelly returns in My Best Beloved. Sisco was struck by the raw passion of the work of metaphysical poet Francis Quarles and has brought it forward in this gorgeous and sensuous art song. Missed Connections was written for Sisco's longtime muse, Elizabeth Mondragon, and won the 2010 NATS Composition Award. Set to anonymous posts from classified ad website craigslist. Com, these musical vignettes reflect the human desire to find (or avoid) one another and are surprisingly affecting. The Wrong Kind of Fountain Enthusiast is a song cycle set to colourful online reviews across the United States, often savage and hilarious, and, as with Missed Connections, uses a variety of musical idioms. Dear God, a cycle of children's prayers, tenderly captures the delicious mix of simplicity and complexity in these miniature compositions. Both feature the \"powerful and expressive voice\" (Classical Scene) of soprano Laura Strickling. Throughout the album, the superb voices are supported by the \"poetic\" (Washington Post) performances of pianist David Fung. David Sisco is an award-winning composer whose vocal and theatrical works have been performed at major venues such as Carnegie Hall and Lincoln Center. He has received commissions from choirs and ensembles across the US. 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Antony Gray tracked down a copy of the soundtrack, which was scored for two pianos, and transcribed it himself, realising this was the only way of recovering the score, and presents it here with Rob Hao in it's first commercial standalone recording. To complete the transcription of the soundtrack, Gray also includes the song, Adieu Maison, with soprano Helen Miles, and a Valse, in which the two pianos are joined by an accordion, performed by Alise Silina. Gray and Hao also present a later version of this work entitled Embarquement pour Cythere, scored only for two pianos.The Sonata for two pianos, arguably Poulenc's finest keyboard work, is emotionally dark and looks forward to the tenderness and anguish of the Dialogues des Carmelites. Very few works in the piano duo repertoire match this sonata in power and emotional force -aggressive dissonance is contrasted with passages of achingly beautiful material. 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The album will be completed by the Valse de musique de soie for solo piano, performed by Antony Gray, a work only recently rediscovered in 2017.Antony Gray and Rob Hao, both pianists and composers, are from Australia. Antony Gray has long been regarded as one of the most interesting and communicative performers of his generation with many solo and chamber music performances around the world and many pieces written for and premiered by him. His recordings for Divine Art have included music by Malcolm Williamson, John Carmichael, and an acclaimed set of Saint-SaÃ«ns piano music. Rob Hao's compositions and performances have taken him across Australia, the UK and continental Europe, and he has given regional and world premieres of over thirty works in both ensemble and solo settings. 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Siegel later introduced Pauline to pianist, arranger, and producer John Di Martino, whose arrangements and artistic direction shape the album's sound. Di Martino assembled a group of top New York jazz musicians and crafted each arrangement to showcase both Pauline's voice and the ensemble's improvisational interplay. The sessions were recorded in New York with a strong emphasis on live interaction, allowing the music to unfold naturally.For Pauline, Lucky To Be Me realizes a long-held dream while marking a personal and musical turning point. Recording in New York, the birthplace of much of the music that inspired her, was both symbolic and deeply meaningful. Working closely with Di Martino, Pauline blended her Nordic sensibility with the rhythmic vitality and storytelling of American jazz. This creative dialogue has produced arrangements that honor the original material while highlighting her distinctive interpretive voice.This collaborative approach shape the album's repertoire, which combines an original composition with reinterpretations of classics from jazz, film, and musical theatre. Tracks like Leonard Bernstein's Lucky To Be Me and Michel Legrand's Les Parapluies de Cherbourg showcase Pauline's capacity to inhabit each song fully, while Rodgers \u0026amp; Hammerstein's The Sound of Music and Josef Myrow's Autumn Nocturne highlight her subtle phrasing and improvisational creativity. Collaborators including saxophonist Aaron Heick, trumpeter Freddie Hendricks, and percussionists Khalil Kwame Bell and Vince Cherico bring drive and textural richness to each performance.Recorded at Trading 8s Recording Studio in New Jersey, with duets tracked in Sweden, and mixed and mastered by Dave Darlington at Bass Hit Studio in New York City, the album unites two musical worlds: a Nordic jazz voice in dialogue with American tradition, enriched by mentorship and musical lineage. 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A full professor and director of jazz composition and arranging at UNT, DeRosa presents this collection as a document of personal creative work and a testament to the extraordinary level of performance that has defined the One O'Clock Lab Band across generations. The ten pieces range from the Gershwin-inspired \"Al-Go-Rhythm\" and the Weather Report-inflected \"Lines and Spaces\" to the tender tribute \"Juris Diction,\" the celebratory \"Fanfare for an Uncommon Man,\" and the quietly philosophical title track, which reflects on the role that accumulated experience plays in an artist's creative life. 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They deliver twelve brand-newÂ all-original songsÂ of hyper-driven soul and powerhouse groove, beats hard like diamonds and slick like ice, fuzz bass in your face, and an avalanche of uncontrollable urges, pushing Jon's latest outburst of garage punk explosionism -Â  hollering, drooling, sexified crooning, and vociferously lamenting these difficult times -Â to new levels of rock'n'roll expressionism. Â Â Â SONGS OF PERSONAL LOSS AND PROTEST is the New New Super Heavy Rock for Hard Times.CD Contains 10 additional tracks from 2024; Come On! 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Their sound sits comfortably alongside the greats of European melodic power metal - think the speed and lift of Helloween, the precision and drive of Gamma Ray, and the soaring melodic sensibility of Stratovarius. Add in touches that fans of Blind Guardian and Rage will immediately recognize, and you begin to understand the caliber of this release.What truly sets Seventh Avenue apart is their ability to balance technical musicianship with unforgettable melodic choruses. The songs are fast, tight, and powerful - yet deeply accessible. Tracks like \"A Step Between the Worlds,\" \"Tales of the Forgotten Dreams,\" and \"Wings of Dawn\" showcase dynamic arrangements, dual-guitar harmonies, and commanding vocals that stay with you long after the final note. The album also features an epic power-metal interpretation of Survivor's \"Burning Heart,\" transformed into a high-octane anthem that feels right at home alongside the band's original material.Lyrically, Seventh Avenue carries a thoughtful Christian worldview, but without sacrificing the intensity or edge that power metal demands. The themes are reflective, philosophical, and emotionally driven - fitting perfectly with the album's grand, melodic scope.Now, for the first time ever, Between The Worlds receives an official USA release through Retroactive Records as part of the Metal Icon Series. This edition has been newly remastered by Rob Colwell, giving the album greater clarity, punch, and depth while preserving it's original character. Housed in a jewel case with a 12-page lyrics booklet filled with photos and artwork, this limited pressing of just 500 units is designed specifically with collectors in mind.For longtime European power metal fans, this album has always been a standout. 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