{"title":"CD Preorders Releasing May 29, 2026","description":"\u003cp\u003eSome things to know:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan style=\"color: rgb(0, 152, 47);\"\u003e\u003cstrong\u003e80-90% of preorders arrive by Friday afternoon of the release day\u003c\/strong\u003e,\u003c\/span\u003e but we can't control that. \u003cstrong\u003eWe will ship as soon as your entire order arrives.\u003c\/strong\u003e Usually that will be by Friday afternoon or Saturday morning. But if there are delays, it could be the following Monday, Tuesday, etc. (Ditto for local pickups.)\n\u003cul\u003e\n\u003cli\u003eNOTE: The most common issue is shifting release dates, which we can't control. But as noted below, we will give you options!\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eIf an album you ordered is cancelled, indefinitely delayed, or won't ship to us for whatever reason for more than one week after release day, we will offer a refund for that title.\u003c\/li\u003e\n\u003cli\u003eIf an album is more than 1 week late (usually due to a modified release date) but is coming eventually, we will give you the option to refund or wait for that album.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e Thanks!\u003c\/p\u003e","products":[{"product_id":"pre-order-the-alarm-transformation-cd","title":"[PRE-ORDER] The Alarm - Transformation [CD]","description":"\u003cp\u003eTransformation is the brand new album by The Alarm which was written and recorded by lead singer Mike Peters during the final few months of his life while bravely battling a rare and aggressive cancer known as Richter's Syndrome.\u003c\/p\u003e\u003cp\u003eDiagnosed on April 22nd 2024, devastatingly, Mike finally succumbed to this dreadful disease on the 29th April 2025.\u003c\/p\u003e\u003cp\u003eMike faced cancer head on with an unswerving, positive attitude until the last... despite suffering the extreme rigours of the disease and whilst enduring a brutal treatment regime that unfortunately proved to be unsuccessful.\u003c\/p\u003e\u003cp\u003eTransformation by The Alarm is regrettably Mike Peters’ final recorded work.... but it also constitutes Mike's finest output. Positivity, optimism, and an unparalleled determination to fight for life simply explode from this album, whilst the ever-present themes of Love, Hope and Strength - with which Mike Peters and The Alarm have become so synonymous - continue to permeate these remarkable new compositions, providing a fitting testimony to these enduring tenets.\u003c\/p\u003e\u003cp\u003eThe Transformation album contains a core of fifteen brand new Mike Peters compositions spread across all the media formats including Vinyl, CD, Digital and Dolby Atmos and will be released officially on 29th May 2026, exactly a year to the day of Mike's funeral.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 198704410444\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e The Twenty First Century Recordi\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.29.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e","brand":"The Twenty First Century Recordi","offers":[{"title":"Default Title","offer_id":48040597389412,"sku":"532788","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/2777\/4052\/files\/4496853-3536320.jpg?v=1773111164"},{"product_id":"pre-order-kip-moore-reason-to-believe-cd","title":"[PRE-ORDER] Kip Moore - Reason To Believe [CD]","description":"\u003cdiv\u003e\u003cspan\u003eMulti-platinum singer\/songwriter Kip Moore reveals his brand new album Reason To Believe will release this spring. 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Careening from crushing personal loss to hopeful exuberance, it’s an album Sam Hales could only write after thinking he’d never be able to write one again.  “I'd overextended and kind of cooked it, but I really found myself,” he says. “That’s where the joy comes from, having this unwavering hope even after experiencing adversity. This record is what everything culminated in for me, because I'm so in love with it and I'm so addicted to music again.” Following the release of their 2021 ARIA #1 album Love Signs, The Jungle Giants have cemented their position at the forefront of Australia’s indie dance scene, amassing nearly a billion streams in the process. 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His landmark studio cycle of Mahler's Symphonies is the monumental centerpiece of this legacy, alongside the live Mahler recordings he did. Tennstedt's Mahler is universally praised for it's sheer emotional commitment and deep feeling. This cycle, often cited for it's thrilling climaxes and masterful shaping of Mahler's vast canvases, is universally recognized as one of the finest surveys of the composer's symphonies. Tennstedt's interpretations of the Central European repertoire, which also included magnificent recordings of Brahms and Wagner included in this box, favour an unfailingly beautiful orchestral tone and a massive solidity. These recordings are a lasting testament to Tennstedt's profound artistry and his extraordinary musical partnership with the LPO (which represent two-thirds of the recordings in this box).\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSymphony No. 3 in E-Flat Major, Op. 55 \"Eroica\": I. Allegro Con Brio\u003c\/li\u003e\n\u003cli\u003eSymphony No. 3 in E-Flat Major, Op. 55 \"Eroica\": II. Marcia Funebre. Adagio Assai\u003c\/li\u003e\n\u003cli\u003eSymphony No. 3 in E-Flat Major, Op. 55 \"Eroica\": III. Scherzo. Allegro Vivace\u003c\/li\u003e\n\u003cli\u003eSymphony No. 3 in E-Flat Major, Op. 55 \"Eroica\": IV. Finale. Allegro Molto\u003c\/li\u003e\n\u003cli\u003eA Night on the Bare Mountain\u003c\/li\u003e\n\u003cli\u003eSymphony No. 8 in F Major, Op. 93: I. Allegro Vivace E Con Brio\u003c\/li\u003e\n\u003cli\u003eSymphony No. 8 in F Major, Op. 93: II. Allegretto Scherzando\u003c\/li\u003e\n\u003cli\u003eSymphony No. 8 in F Major, Op. 93: III. Tempo Di Menuetto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 8 in F Major, Op. 93: IV. Allegro Vivace\u003c\/li\u003e\n\u003cli\u003eSymphony No. 6 in F Major, Op. 68 \"Pastoral\": I. Erwachen Heiterer Empfindungen Bei Der Ankunft Auf Dem Lande. Allegro Ma Non Tr\u003c\/li\u003e\n\u003cli\u003eSymphony No. 6 in F Major, Op. 68 \"Pastoral\": II. Scene Am Bach. Andante Molto Moto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 6 in F Major, Op. 68 \"Pastoral\": III. Lustiges Zusammensein Der Landleute. Allegro\u003c\/li\u003e\n\u003cli\u003eSymphony No. 6 in F Major, Op. 68 \"Pastoral\": IV. Gewitter. Sturm. Allegro -\u003c\/li\u003e\n\u003cli\u003eSymphony No. 6 in F Major, Op. 68 \"Pastoral\": V. Hirtengesang. Frohe Und Dankbare GefÃ¼hle Nach Dem Sturm. Allegretto\u003c\/li\u003e\n\u003cli\u003eFidelio, Op. 72: Overture\u003c\/li\u003e\n\u003cli\u003eLeonore Overture No. 2, Op. 72A\u003c\/li\u003e\n\u003cli\u003eThe Creatures of Prometheus, Op. 43: Overture\u003c\/li\u003e\n\u003cli\u003eCoriolan Overture, Op. 62\u003c\/li\u003e\n\u003cli\u003eEgmont, Op. 84: Overture\u003c\/li\u003e\n\u003cli\u003eViolin Concerto in D Major, Op. 61: I. Allegro Ma Non Troppo\u003c\/li\u003e\n\u003cli\u003eViolin Concerto in D Major, Op. 61: II. Larghetto\u003c\/li\u003e\n\u003cli\u003eViolin Concerto in D Major, Op. 61: III. Rondo. Allegro\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 1 in G minor, Op. 26: I. Prelude. Allegro Moderato\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 1 in G minor, Op. 26: II. Adagio\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 1 in G minor, Op. 26: III. Finale. Allegro Energico\u003c\/li\u003e\n\u003cli\u003eViolin Concerto in D Major, Op. 61: I. Allegro Ma Non Troppo (Cadenza By Kreisler)\u003c\/li\u003e\n\u003cli\u003eViolin Concerto in D Major, Op. 61: II. Larghetto\u003c\/li\u003e\n\u003cli\u003eViolin Concerto in D Major, Op. 61: III. Rondo. Allegro (Cadenza Nigel Kennedy)\u003c\/li\u003e\n\u003cli\u003eViolin Partita No. 3 in E Major, BWV 1006: I. Preludio\u003c\/li\u003e\n\u003cli\u003eViolin Sonata No. 3 in C Major, BWV 1005: IV. Allegro Assai\u003c\/li\u003e\n\u003cli\u003eSymphony No. 9 in C Major, D. 944 \"The Great\": I. Andante - Allegro Ma Non Troppo\u003c\/li\u003e\n\u003cli\u003eSymphony No. 9 in C Major, D. 944 \"The Great\": II. Andante Con Moto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 9 in C Major, D. 944 \"The Great\": III. Scherzo. Allegro Vivace - Trio\u003c\/li\u003e\n\u003cli\u003eSymphony No. 9 in C Major, D. 944 \"The Great\": IV. Finale. Allegro Vivace\u003c\/li\u003e\n\u003cli\u003eSymphony No. 3 in E-Flat Major, Op. 97 \"Rhenish\": I. Lebhaft\u003c\/li\u003e\n\u003cli\u003eSymphony No. 3 in E-Flat Major, Op. 97 \"Rhenish\": II. Scherzo. Sehr MÃ¤ÃŸig\u003c\/li\u003e\n\u003cli\u003eSymphony No. 3 in E-Flat Major, Op. 97 \"Rhenish\": III. Nicht Schnell\u003c\/li\u003e\n\u003cli\u003eSymphony No. 3 in E-Flat Major, Op. 97 \"Rhenish\": IV. Feierlich\u003c\/li\u003e\n\u003cli\u003eSymphony No. 3 in E-Flat Major, Op. 97 \"Rhenish\": V. Lebhaft\u003c\/li\u003e\n\u003cli\u003eConcertpiece for Four Horns and Orchestra in F Major, Op. 86: I. Lebhaft\u003c\/li\u003e\n\u003cli\u003eConcertpiece for Four Horns and Orchestra in F Major, Op. 86: II. Romanze. Ziemlich Langsam\u003c\/li\u003e\n\u003cli\u003eConcertpiece for Four Horns and Orchestra in F Major, Op. 86: III. Sehr Lebhaft\u003c\/li\u003e\n\u003cli\u003eSymphony No. 4 in a Major, Op. 90, MWV N16 \"Italian\": I. Allegro Vivace\u003c\/li\u003e\n\u003cli\u003eSymphony No. 4 in a Major, Op. 90, MWV N16 \"Italian\": II. Andante Con Moto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 4 in a Major, Op. 90, MWV N16 \"Italian\": III. Con Modo Moderato\u003c\/li\u003e\n\u003cli\u003eSymphony No. 4 in a Major, Op. 90, MWV N16 \"Italian\": IV. Saltarello. Presto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 4 in D minor, Op. 120: I. Ziemlich Langsam - Lebhaft\u003c\/li\u003e\n\u003cli\u003eSymphony No. 4 in D minor, Op. 120: II. Romanze. Ziemlich Langsam\u003c\/li\u003e\n\u003cli\u003eSymphony No. 4 in D minor, Op. 120: III. Scherzo. Lebhaft\u003c\/li\u003e\n\u003cli\u003eSymphony No. 4 in D minor, Op. 120: IV. Langsam - Presto\u003c\/li\u003e\n\u003cli\u003ePiano Concerto in a Minor, Op. 16: I. Allegro Molto Moderato\u003c\/li\u003e\n\u003cli\u003ePiano Concerto in a Minor, Op. 16: II. Adagio\u003c\/li\u003e\n\u003cli\u003ePiano Concerto in a Minor, Op. 16: III. Allegro Moderato Molto E Marcato\u003c\/li\u003e\n\u003cli\u003ePiano Concerto in a Minor, Op. 54: I. Allegro Affettuoso\u003c\/li\u003e\n\u003cli\u003ePiano Concerto in a Minor, Op. 54: II. Intermezzo - Andantino Grazioso\u003c\/li\u003e\n\u003cli\u003ePiano Concerto in a Minor, Op. 54: III. Allegro Vivace\u003c\/li\u003e\n\u003cli\u003eDie WalkÃ¼re, Act 3: WalkÃ¼renritt (Concert Version. Lebhaft)\u003c\/li\u003e\n\u003cli\u003eGÃ¶tterdÃ¤mmerung, Act 1: Siegfried Rheinfahrt. Sehr Ruhig - Sehr Aufgeregt\u003c\/li\u003e\n\u003cli\u003eGÃ¶tterdÃ¤mmerung, Act 3: Siegfrieds Tod Und Trauermarsch. Sehr Langsam - Feierlich\u003c\/li\u003e\n\u003cli\u003eDas Rheingold, Act 1: Einzug Der GÃ¶tter in Walhall. Ehr MÃ¤ssig - MÃ¤ssig Bewegt\u003c\/li\u003e\n\u003cli\u003eSiegfried, Act 2: Waldweben. MÃ¤ssig - Lebhaft\u003c\/li\u003e\n\u003cli\u003eDie WalkÃ¼re, Act 3: Wotans Abschied Und Feuerzauber\u003c\/li\u003e\n\u003cli\u003eTannhÃ¤user: Overture. Andante Maestoso - Allegro\u003c\/li\u003e\n\u003cli\u003eRienzi: Overture. Molto Sostenuto E Maestoso - Allegro Energico\u003c\/li\u003e\n\u003cli\u003eLohengrin: Prelude. Langsam\u003c\/li\u003e\n\u003cli\u003eLohengrin, Act 3: Prelude. Sehr Lebhaft\u003c\/li\u003e\n\u003cli\u003eDie Meistersinger Von NÃ¼rnberg, Act 1: Prelude. Sehr MÃ¤ssig Bewegt\u003c\/li\u003e\n\u003cli\u003eTristan Und Isolde, Act I: Prelude\u003c\/li\u003e\n\u003cli\u003eTristan Und Isolde, Act 3: Liebestod. \"Mild Und Leise Wie Er LÃ¤chelt\" (Isolde)\u003c\/li\u003e\n\u003cli\u003eTannhÃ¤user, Act II: \"Dich, Teure Halle, GRÃœSS Ich Wieder\" (Elisabeth) [Dresden Version]\u003c\/li\u003e\n\u003cli\u003eTannhÃ¤user, Act III: Elisabeth's Prayer. \"AllmÃ¤cht'ge Jungfrau, HÃ–R Mein Flehen!\" (Elisabeth) [Dresden Version]\u003c\/li\u003e\n\u003cli\u003eDer Fliegende HollÃ¤nder, Act 2: Ballade. \"Johohoe! Traft Ihr Das Schiff Im Meere An\" (Senta, Chor)\u003c\/li\u003e\n\u003cli\u003eGÃ¶tterdÃ¤mmerung, Act III: Immolation Scene. \"Starke Scheite Schichtet Mir Dort\" (BrÃ¼nnhilde)\u003c\/li\u003e\n\u003cli\u003eSymphony No. 4 in E-Flat Major \"Romantic\": I. Bewegt, Nicht Zu Schnell\u003c\/li\u003e\n\u003cli\u003eSymphony No. 4 in E-Flat Major \"Romantic\": II. Andante, Quasi Allegretto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 4 in E-Flat Major \"Romantic\": III. Scherzo. Bewegt - Trio. Nicht Zu Schnell\u003c\/li\u003e\n\u003cli\u003eSymphony No. 4 in E-Flat Major \"Romantic\": IV. Finale. Bewegt, Doch Nicht Zu Schnell\u003c\/li\u003e\n\u003cli\u003eSymphony No. 8 in C minor: I. Allegro Moderato\u003c\/li\u003e\n\u003cli\u003eSymphony No. 8 in C minor: II. Scherzo. Allegro Moderato - Trio. Langsam\u003c\/li\u003e\n\u003cli\u003eSymphony No. 8 in C minor: III. Adagio. Feierlich Langsam, Doch Nicht Schleppend\u003c\/li\u003e\n\u003cli\u003eSymphony No. 8 in C minor: IV. Finale. Feierlich, Nicht Schnell\u003c\/li\u003e\n\u003cli\u003eSymphony No. 1 in C minor, Op. 68: I. Un Poco Sostenuto - Allegro\u003c\/li\u003e\n\u003cli\u003eSymphony No. 1 in C minor, Op. 68: II. Andante Sostenuto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 1 in C minor, Op. 68: III. Un Poco Allegretto E Grazioso\u003c\/li\u003e\n\u003cli\u003eSymphony No. 1 in C minor, Op. 68: IV. Finale. Adagio\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 1 in D minor, Op. 15: I. Maestoso\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 1 in D minor, Op. 15: II. Adagio\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 1 in D minor, Op. 15: III. Rondo. Allegro Non Troppo\u003c\/li\u003e\n\u003cli\u003eViolin Concerto in D Major, Op. 77: I. Allegro Non Troppo\u003c\/li\u003e\n\u003cli\u003eViolin Concerto in D Major, Op. 77: II. Adagio\u003c\/li\u003e\n\u003cli\u003eViolin Concerto in D Major, Op. 77: III. Allegro Giocoso, Ma Non Troppo Vivace\u003c\/li\u003e\n\u003cli\u003eViolin Concerto in D Major, Op. 77: I. Allegro Non Troppo\u003c\/li\u003e\n\u003cli\u003eViolin Concerto in D Major, Op. 77: II. Adagio\u003c\/li\u003e\n\u003cli\u003eViolin Concerto in D Major, Op. 77: III. Allegro Giocoso, Ma Non Troppo Vivace\u003c\/li\u003e\n\u003cli\u003eEin Deutsches Requiem, Op. 45: I. Selig Sind, Die Da Leid Tragen\u003c\/li\u003e\n\u003cli\u003eEin Deutsches Requiem, Op. 45: II. \"Denn Alles Fleisch Es Ist Wie Gras\"\u003c\/li\u003e\n\u003cli\u003eEin Deutsches Requiem, Op. 45: III. Herr, Lehre Doch Mich\u003c\/li\u003e\n\u003cli\u003eEin Deutsches Requiem, Op. 45: IV. Wie Lieblich Sind Deine Wohnungen\u003c\/li\u003e\n\u003cli\u003eEin Deutsches Requiem, Op. 45: V. \"Ihr Habt Nun Traurigkeit\"\u003c\/li\u003e\n\u003cli\u003eEin Deutsches Requiem, Op. 45: VI. Denn Wir Haben Hie Keine Bleibende Statt\u003c\/li\u003e\n\u003cli\u003eEin Deutsches Requiem, Op. 45: VII. \"Selig Sind Die Totent\"\u003c\/li\u003e\n\u003cli\u003eAlto Rhapsody, Op. 53\u003c\/li\u003e\n\u003cli\u003eHyperions Schicksalslied, Op. 54\u003c\/li\u003e\n\u003cli\u003eSymphony No. 9 in E minor, Op. 95, B. 178 \"From the New World\": I. Adagio - Allegro Molto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 9 in E minor, Op. 95, B. 178, 'From the New World': II. Largo\u003c\/li\u003e\n\u003cli\u003eSymphony No. 9 in E minor, Op. 95, B. 178 \"From the New World\": III. Molto Vivace\u003c\/li\u003e\n\u003cli\u003eSymphony No. 9 in E minor, Op. 95, B. 178 \"From the New World\": IV. Allegro Con Fuoco\u003c\/li\u003e\n\u003cli\u003eSymphony No. 1 in D Major \"Titan\": I. Langsam. Schleppend - Immer Sehr Gemachlich\u003c\/li\u003e\n\u003cli\u003eSymphony No. 1 in D Major \"Titan\": II. KrÃ¤ftig Bewegt, Doch Nicht Zu Schnell\u003c\/li\u003e\n\u003cli\u003eSymphony No. 1 in D Major \"Titan\": III. 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Led by guitarist Steve Morse, the band moves easily between intricate passages and driving rock sections, giving a clear picture of how their music translated to the stage. 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Brown Acid dose # 22 drops, continuing to fry your mind in a revolving trap-door Twilight Zone alternate world of early hard rock... populated by real life characters so far out they can look like a cheesy wedding band but sound like Blue Cheer! Uncanny! This music comes at you from many angles. Teens in a garage colliding with booze, drugs and girls for the first time, lounge lizard hustlers with snazzy stage clothes and fuzz boxes... gnarly backwoods troublemakers meet blow dried glam rock wannabes here, seamlessly clobbering your head with sound rather than each other! An electric post-psychedelic bar brawl for your mind awaits, unfasten your seat belt, crank it up and fly! Sounds Synonymous \"Babylon\" out of Flint, Michigan 1969 rip the devastating Blue Cheer classic a new one, immediately swarming you with organ swells and distortion before collapsing into a tuff funk groove, a psychedelic James Brown vibe shot through with dirty howling fuzz guitar, vocals nailing the messed up but confident relaxed sneering attitude of the original Cheer eruption. The Bumps \"Shining\" from Seattle 1969 resides right at the transition of '60s psych into early prog, well constructed, no diluting things artsy fartsy style, a compelling heavy riff, spacious vocal harmony hook floating above a turbulent take on getting your shit together and shining like a star. Fat chance, but you can dream, the band did and their dreams kick ass across time to right now or you wouldn't be here. Coulda been a hit back then, definitely a hit now. Riverside \"Farmer\" explodes out of Austin, Texas 1974, economical but brilliantly structured riffs and power chords, intense dynamic tension\/release, fantastic screaming leads over shifting angles of attack during the middle break... it's all here with a detached confidence in the vocal that swaggers back in time to the late '60s in it's proto-heavy psych adjacent assault. Cincinnati Joe \u0026amp; Mad Lydia \"Get It Together\" for real in Cincinnati, Ohio 1970. The song says everything you need to know: \"You may think that you're the very best, miles and miles ahead of the rest, but be sure when you're put to the test you get it together!\" These words are deployed in a manner similar to Peter Green's \"Oh Well\", intermittently stated between killer gnarly guitar and gushy organ attacks. Bar band heaven and hell rolled up into one big ball, the vocals get all the way out there! Straight Up \"Fire\" takes the monster 1968 Crazy World Of Arthur Brown hit into faithfully executed but surreally minimalist territory, Minneapolis, Minnesota 1974. Genius version of a key song that presciently cuts to the chase regarding Brown Acid's incinerations of psychedelic idealism, you're gonna burn, burn, burn... as that moment climaxes you can gawk at their preposterous flashy lounge band stage outfits and realize side one must end because everything is totally scorched into eternity. Scrap Iron \"Poopsie\" is a primitive two chord stomper with spiraling fuzz and organ riffs, singer marking his territory caveman style. \"Poopsie, you're my woman\" he commands, but gets weirdly insecure she'll blow him off at the altar by the end of each verse. Snarly wah-wah ices this toxic cake out of Carteret, New Jersey 1973. Focused delivery so single-mindedly crude it creates an inescapable instant brain-worm. Lady \"Live Show Tigers\" is amongst the most potently life affirming trash rockers you'll ever hear, one outrageously triumphant but fiercely sloppy anthem about living it up like a star, strutting the stage glammed up New York Dolls drag style but with a Dictators sense of humor. Tasty slightly off kilter guitar leads all through, going serendipitously berserk on the fade. Picture disc single out of L.A. 1980. Fantastic fun rock star rock at a very raw local street level where any time is party time. Killer Frog \"Hard Times\" on Masochist Records from Chicago, Illinois 1972 takes less than two minutes, an action packed James Gang style bar band rocker with a bit of punky sneer in the face of misfortune. These guys never even heard of flower power. They are killer frogs. Good Humore \"Killer\" does kill in stripped down hard rock trio style, Warren, Michigan 1976. 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Toronto, Canada 1974, a vibe lurking in some strange but funny void between late '60s outsider garage psychedelic rock complete with reverb-y acid guitar leads and late '70s retro-futuristic D.I.Y wisecracking from inner space... taking the piss out of outer space!\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSounds Synonymous - Babylon Flint, Michigan - 1969\u003c\/li\u003e\n\u003cli\u003eThe Bumps - Shining Seattle, Washington - 1969\u003c\/li\u003e\n\u003cli\u003eRiverside - Farmer Austin, Texas - 1974\u003c\/li\u003e\n\u003cli\u003eCincinnati Joe and Mad Lydia - Get It Together Cincinnati, Ohio - 1970\u003c\/li\u003e\n\u003cli\u003eStraight Up - Fire Minneapolis, Minnesota - 1974\u003c\/li\u003e\n\u003cli\u003eScrap Iron - Poopsie Carteret, New Jersey - 1973\u003c\/li\u003e\n\u003cli\u003eLady - Live Show Tigers Los Angeles, California - 1980\u003c\/li\u003e\n\u003cli\u003eKiller Frog - Hard Times Chicago, Illinois - 1972\u003c\/li\u003e\n\u003cli\u003eGood Humore - Killer Warren, Michigan - 1976\u003c\/li\u003e\n\u003cli\u003eSarawest - Space Rider Toronto, Ontario - 1974\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 679065076864\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Riding Easy\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.29.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Riding Easy","offers":[{"title":"Default Title","offer_id":48106746806372,"sku":"137868079","price":15.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/2777\/4052\/files\/4503867-3554378.jpg?v=1774331331"},{"product_id":"pre-order-trilogy-cd","title":"[PRE-ORDER] Trilogy [CD]","description":"\u003cp\u003eTwo CDs. 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Listen to his work, and you're transported to a two-block radius of his neighborhood-from the liquor store to Sign of Music record store on Whittier Boulevard and back to a homie's house. In those two blocks, you hear cumbia blaring from the stores, punk rehearsals from a garage, oldies drifting from a neighbor's yard-a sensory overload that follows you home,all those genres singing in your head at once.This isn't a revelation to longtime fans of QuiÃ±ones' music. He has established himself as a premier interpreter of his generation, dedicating his career to offering his unique perspective on the Chicano soul songbook. But before Thee Sinseers, before the lush orchestrations and pitch-perfect harmonies that became his signature, QuiÃ±ones cut his teeth leading various backing bands for visiting Jamaican ska and dancehall acts touring Southern California. He describes those years as reggae college, getting yelled at by every Jamaican artist who had a record out. Those years ofapprenticeship in rock steady and roots reggae would inform everything that followed-and on his new solo record Inna Soul Steady Situation, QuiÃ±ones finally showcases those influences front and center.That quintessential blending of styles rings out immediately on the opening track \"Soul Steady Situation\"-QuiÃ±ones's vocals enter like a selector toasting over the riddim, an alarm call announcing his intentions with an urgency that feels club-ready and immediate. Then comes the classic drum fill, dropping into a rock steady groove that establishes the vibe: this is dancehall-infused soul meant for movement, not just contemplation. It's a deliberate departure from Thee Sinseers' lush orchestrations, stripped down to showcase the Jamaican foundations that have always lived beneath QuiÃ±ones's work.Before you know it, you've taken off on a sonic soul spaceship with QuiÃ±ones at the helm, supported by his two-person crew: Eric Johnson from Thee Sinseers on saxophone and Eleazar from the Brown Boyz on piano, as you cruise across silver-lined clouds and dip your toes into dreamy moonlit grooves found on \"Don't Let Go,\" \"Driftin'\" and \"One MoreNight.\"What QuiÃ±ones manages to do on this record-with the full support of Colemine Records, the defining label for contemporary soul music happening right now-is prove time and time again that he is an artist willing to take risks and continue to show his prowess when it comes to experimenting with different styles, while still being able to authentically express himself. 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Fuelled by creative reinvention and rhythmic motion, he moves seamlessly between melancholy MIDI notes, technoid robotics, groovy liminal cloudscapes, and fathoms-deep ambient aquatics.\u003cbr\u003eSince early beginnings in obscurity, his 1986 debut album Wind slowly built an organic following on late night radio, later bolstered when “Clouds” was sampled by artists like Björk, Post Malone, and more. He now counts Oneohtrix Point Never, Devendra Banhart, Caroline Polachek, and the late Kenny Wheeler as fans. \u003cbr\u003eThe new album Movement reflects on Masin’s place within the pantheon of ambient masters, his ongoing artistic ambitions, and his aspirations for a scene which he’s seen grow exponentially from humble beginnings. The lp is also an ode to literal movement, both in nature, and in human physical expressions to sound. 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